If the Monster was exquisite, Dracula is sublime. This is a must-have classic! And in spite of the many very competent paint jobs one sees, a classic example of why "figures", whether busts or full, are best marketed in a primed, unpainted state.
But first. . . the bust is essentially a one-piece resin casting, with only the high standing collar of the cloak cast separately: attachment of this piece might prove to be a little tricky. As with the Monster, also provided is a cast display plinth, a cast name plate, and a clear lexan/acrylic rod. I will enhance the support of the bust--still to be worked out.
The castings are nearly flawless. Poured from a two-piece mold, there is but a very light seam line that can be mechanically sanded or manually scraped off in less than 30 mins. I could very easily have this bust primed by the end of the weekend; but I will savor it a bit, study it a lot, and devise my painting strategy before initiating the process.
The execution of this piece is almost perfect. It is certainly the best likeness of Lugosi in his iconic rôle available in miniature! Which means that unless one is very careful and on his/her game, paint will almost certainly detract from the presence of the sculpture. No pressure!
I am very much looking forward to moving this piece to the painting bench. . .
More to follow!
FOLLOW-UP. . . The fitting of the standing collar is just about done. As I said, this is somewhat tricky, and it will probably require a quick swipe of filler once it is attached. Other than that, I have spent a few hours this afternoon on surface finishing and enhancing undercuts.
AND. . .
I've decided to rework and extend the cloak into a pseudo-pedestal, which will not only serve to add colour to the presentation; but, more importantly, will introduce some tension into the pose of the bust.
Back to the bench!
No comments:
Post a Comment