THE RHINO IS NOW UNDERCOATED. . . and curing in the oven.
The Silver Age Rhino is not the most colourful of characters--chromatically--and herein lies the challenge: how to make a uniform medium grey vibrant and visually interesting! Layering my acrylic undercoat, I was able to "sketch" the lighting plan, as well as introduce colours to break-up the monotony of what amounted to little more than a tonal variant of the primer.
How well did I succeed, and how well will I translate this into the final oils? Stay tuned. . .
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