There is still some work to be done with the acrylics, but I wanted to proceed with the oils to see if my plan had merit. And I am delighted to report that it did!
The oils were applied in two fashions: glazing and stippling. I first glazed the indicated areas with blue-green overtones: this served as a cool unifying gradient that provided some contrasting re- flective depth. Once satisfied, I began stippling a textured overlay with Flake White. This is very much Phase I, and I foresee at least two more layers: 1) a warmish overtone; and 2) a final uni- fying overlay of a stippled white made into a translucent "paste" with Dorland's Wax.
More to follow. . .
16.10.2019--Phase II:
16.10.2019--Phase II:
- A. Warmish overtones. These were selectively applied with Transparent Red Earth muted with W&N Raw Umber Light, blending carefully.
- B. I decided to have two applications of the "unifying white". The first layer will be slightly-thinned Zinc White, essentially glazed. Once I am satisfied, I will proceed with the stippled Flake White "paste", applied to punch-up the highlights and create a granular surface.
“When the cost of a hobby exceeds the fun and doesn't attract new people, the game is over.” -
Oscar Koveleski, August 2003
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