Hptm. Walther Karjus--Painting II: Tunic

Taking advantage of the PG base mix I used to paint the breeches, I tackled the tunic this after- noon. I decided to paint the tunic in my favorite tint of Feldgrau: that with a distinct green bias. Not the WWII green undertone, but more at a dark-ish grigio-verde. 

My target hue was easily achieved adding Chrome Green Oxide to the PG base mix, and "level- ing" out the colour with Liquitex Parchment. While the tunic is now essentially done, this is definitely a Phase I application: I will punch-up the shadows, highlights, and details once the foundation is dry.

I intend to let the oils settle for the next few days while I play catch-up with the left "forearm": gauntlet and flight helmet. But, before closing, the leggings (see here) are now done!

Movin' right along. . .  

“When the cost of a hobby exceeds the fun and doesn't attract new people, the game is over.” -
Oscar Koveleski, August 2003

Hptm. Walther Karjus--Painting II: Breeches

While I wait for the leggings to dry another day (or two), I thought I'd work my way up and tackle the breeches. . . 

Feldgrau is not exactly the most exciting colour to paint--anymore than khaki is. But I think a lot of the "dullness" is due to the literally formulaic approach. Feldgrau is an umbrella term for a wide variety of colours, with virtually endless variability depending on the dyes, the dyeing process, the quality of the fabric, and the exposure to the elements. Most painters begin with Payne's Grey (PG) for any permutation of grey: I haven't used PG save as a targeted convenience since I can't remember when! Instead, I will revert to the original formulation of PG (Prussian Blue + Yellow Ochre + a "crimson") and modify accordingly. In this instance, I added Viridian Green to the mix! 

Your modifiers will largely be determined by the colours your Feldgrau will have to play off, and the chromatic flow you want to achieve. Formulae are irrelevant: knowledge of colour and your vision of the finished piece will determine your palette!

“When the cost of a hobby exceeds the fun and doesn't attract new people, the game is over.” -
Oscar Koveleski, August 2003

Negan - Prepwork: Intermezzo III

This intermezzo has been dedicated to finalizing form--and detailing. To date, I have roughed-in 2 of the 6 buckles to be redone; added the passants; roughed-in all (4) lapels; and added the pistol belt. . .  

Until next time. . . 

“When the cost of a hobby exceeds the fun and doesn't attract new people, the game is over.” -
Oscar Koveleski, August 2003

Hptm. Walther Karjus--Painting II: Leggings

Planning for the steps to come, next in my sights will be the leather leggings. I had UCed the leggings in a blackish brown, but it was too 'cool' for what I had envisioned. I want to depict a rather scuffed and worn set of leggings; i.e., a warmish black with the underlying leather showing, to varying degrees, throughout. Hence, I lightly basecoated the leggings--in oils!--with a Raw Sienna and Raw Umber Light mix, spot shading with a Raw and Burnt Umber mix. Once that is completely dry, I will lightly glaze with Mars Black and/or a proprietary mix of black.

More to follow!

“When the cost of a hobby exceeds the fun and doesn't attract new people, the game is over.” -
Oscar Koveleski, August 2003

Hptm. Walther Karjus--Painting II: Decorations

Phase I of the ribbon bar, the EK1, and the Luftstreitkräfte Pilot's Badge has been completed using primarily Ivory Black. I will probably repeat this step once the first application is dry, before proceeding with Phase II.

Stay tuned!

 

“When the cost of a hobby exceeds the fun and doesn't attract new people, the game is over.” -
Oscar Koveleski, August 2003

Hptm. Walther Karjus--Painting II: Flesh

Phase I of the flesh areas of the figure (i.e., the face) are now done. 

As with Natalya, given the scale, I approached the eyes "old school": no distinct chromatic iris, and simple outlining. The face itself was executed using controlled layering (read: glazing) of a limited palette using minimal amounts linseed oil as my primary medium. A couple of more sessions to selectively "highlight" details ought to just about do it. . . 

Finally, I blocked-in (read: UCed) the hair with Raw Umber Light. . . 

“When the cost of a hobby exceeds the fun and doesn't attract new people, the game is over.” -
Oscar Koveleski, August 2003

Negan - Prepwork IIC: Lucille, pt. 3 - Barbed Wire!

I am going to give "Lucille" one more day to "relax" and settle into her new finish; but in the meantime, there is quite a bit of work to be done. . . 

As I indicated earlier, I settled for Hudson & Allen's barbed wire (HA9401). This is, quite simply, a SUPERB product! It is mixed-media: scale-thin 2-wire strands with interlaced "vinyl" barbs [As a sidebar note, the barbs are visually quite realistic--and safe. One could argue that, given time, a more realistic item could have been scratchbuilt, but my days of making mail quickly dispelled any such notion. . .  The bw is nicely finished in an earthy rust, which means that in most in- stances, it is ready to use right out of the package!

This is not one of those instances. Personally, I think the bw is depicted as a bit too clean on TWD. But, that is canon, and so it must be. So my first step after very gingerly unwinding a length of the wire, and straightening it out (which is when I discovered H&A used metal wire for the strands), was dropping it in the "bath" overnight. By this afternoon, the paint was easily removed with light scrubbing: the bw is now ready for application!

More to follow. . .  

UPDATE 14.04.17. . . "Lucille" is DONE!!! And I am very pleased! 

The whole process took less than 10 minutes--including unwrapping the wire a couple of times to tweak the flow of the coils! I will be the first to admit that the wire is slightly over-scaled; but, aes- thetically, it rocks! Especially once the blood, etc. is applied during final finishing. I may go back and trim some of the barbs ever-so-slightly to reduce the effective diameter of the barrel; but it is way too early to make that decision now.

BACK TO THE BENCH!!!

“When the cost of a hobby exceeds the fun and doesn't attract new people, the game is over.” -
Oscar Koveleski, August 2003

Negan - Prepwork VI: The Pants

With two out of three items of wear already "under the burr", it was time to throw the pants in the ring, as it were!

The pants are arguably the most poorly rendered of the three major articles of clothing. They are essentially featureless with virtually no volume to speak of. There is hardly any drapery, no flow of fabric--much less a hint of the underlying form. The pants require a total resculpt!

This afternoon, I roughed-in the enhanced volume, working carefully with what was provided as well as a half-dozen or so reference shots. With any luck at all, any putty-work going forward will be minor and a mere flow-refinement. . . 

More to follow. . . 

“When the cost of a hobby exceeds the fun and doesn't attract new people, the game is over.” -
Oscar Koveleski, August 2003

Negan - Prepwork IIB: Lucille, pt. 2

With the bat done and fitted, it was time to "make" Lucille. . . 

First step: staining. Again, research--and your eyes!--will be the ultimate arbiters of what you achieve. I decided to stain and seal using W&N Liquin as the carrier sealant and a proprietary mix of Orange Ochre, Transparent Orange Oxide, and Transparent Earth Red. I did some pre- liminary shading along the knob with Van Dyke Brown, but the bulk of the shading--the real staining--will be done once the Liquitex glaze is good and hard. 

Given the porosity of birch, I will probably repeat this first step, using a lighter tint of the glaze to increase the sheen of the wood. [note 12.04.17: it took three applications of Liquin-based stain to achieve the tonal depth and sheen I wanted.]

So far. . . so great. . . !

“When the cost of a hobby exceeds the fun and doesn't attract new people, the game is over.” -
Oscar Koveleski, August 2003

Negan - Prepwork: Intermezzo II

Repositioning of the head has been finalized (nb: the head has not been permanently attached), and I have resculpted the scarf/neckwrap.

UPDATE 10.04.17 

• The fitting/position of Lucille has been finalized.  
• I've decided on Hudson & Allen barbed wire.
• The left arm has been permanently attached.

“When the cost of a hobby exceeds the fun and doesn't attract new people, the game is over.” -
Oscar Koveleski, August 2003

Negan - Prepwork V: The Jacket

With the work on the boots progressing, I decided to begin working on the jacket so as to ensure a balanced perspective of the work. . . 

If the devil is in the details, then this garment belongs in the Celestial coatroom! We've already discussed the proportional "charlie-foxtrot" that required the removal of a 3-4mm section between the nipple-line and the navel. Then we have what appear to be lightly-scribed, absolutely flat lapels; omitted(!) passants; soft, ill-defined belt loops. . . and the list goes on. 

Unfortunately for some, this garment will require relatively-extensive research. Veteran cosplayers have been unable to associate it with a given commercial item--that means searching the Web for images, and watching the relevant episodes from S7. . . repeatedly! I really don't understand the aversion to research. . . 

The first step is to reassemble the sectioned torso (see here). Then one proceeds as one best sees fit. For myself, I first refitted the "new" Lucille to the left shoulder, and then started carving in the details such as seams and the passant. Then I began to rough-out the left lapels. . . 

That's pretty much it -- for now. . . 

More to follow. . . 

“When the cost of a hobby exceeds the fun and doesn't attract new people, the game is over.” -
Oscar Koveleski, August 2003

Negan - Prepwork IV: The Boots

There are three critical items that must be addressed if you decide to rework Eaglemoss's Negan:

• Lucille
• The jacket
• The boots

Lucille is already well underway, so I will refer you to that posting. That leaves me with the figure itself. Where to begin?. . . As is my wont, I usually start from the bottom, and work my way up. So the boots it is! 

The boots as provided are a joke! While the master costumers at TWD are not averse in the least to creating custom items for the cast, Negan's boots are essentially "off the shelf" items. I will not insult your intelligence by telling you the 'make and model' of the footwear--it takes but a few seconds to nail it down. . . 

So what is wrong with the boots as provided?  First and foremost, the shaft is too long. I strongly suspect that this was a primary contributor to the proportional nightmare we see. Along these lines, the overall proportions of the boots are shot! Secondly, no seam-work whatsoever is pre- sent. These are heavy-leather workboots, and given the scale, a constructional layering should be evident. Finally, as I already mentioned, one of the buckles was sheared off in the clean-up of the casting. What I didn't mention, is that both ankle straps and their buckles were entirely left- off!

I have already addressed the length of the shaft when rescaling the figure. What follows is essentially the resculpting of the boots. To date, I have roughly bulked-up the boots with MS. Now comes the fun part. . . 

More to follow. . .

“When the cost of a hobby exceeds the fun and doesn't attract new people, the game is over.” -
Oscar Koveleski, August 2003

Negan - Prepwork: Intermezzo

I am going to let Negan simmer for a few days to afford me a "fresh look" when the real work re- sumes; but not before roughly reassembling the figure and bulking-out some critical areas, parti- cularly the jacket and boots (nb: the figure is now curing in the oven). I also removed the head, which, as best I can tell, was indeed a separate piece. To date, I have tentatively re-positioned it.

Before closing, Eaglemoss has been very good about telling us upon which season and/or epi- sode their rendition is based. In this case, it is Negan's very brief introduction at the end of S6/ ep16 (the last 10 minutes or so), and the first half or so of S7/ep1.

Stay tuned!

“When the cost of a hobby exceeds the fun and doesn't attract new people, the game is over.” -
Oscar Koveleski, August 2003